F1 The Album is a dynamic and diverse soundtrack that perfectly captures the high-speed energy and global appeal of Formula 1. Featuring a wide range of artists and genres, the album mirrors the sport’s thrilling, fast-paced nature while also reflecting its international reach and cultural impact. From pulsating electronic beats to bold hip-hop and rock anthems, each track brings a unique sound that aligns with the adrenaline and intensity of racing.
Released one track at a time in the lead-up to the movie’s premiere, F1 The Album quickly became one of the year’s most anticipated releases — bridging the worlds of music and motorsport like never before. In recent years, Formula 1 has experienced a major transformation: What was once considered a niche, male-dominated sport reserved for die-hard motorsport enthusiasts has evolved into a global phenomenon, now attracting the kind of passionate, emotionally driven fan base typically seen in mainstream pop culture.
The soundtrack features a mix of genres and was curated to complement the intensity and emotion of key moments in the film. Seven time World Championship Formula One Title holder and co-chair of the 2025 Met Gala, Sir Lewis Hamilton, consulted on and co-produced the film, playing a crucial role both on and off screen. A longtime advocate for inclusivity in the sport, he has led efforts like the Diversity and Inclusion Charter in Formula 1.
Reflecting that same spirit, the soundtrack embraces a global perspective — featuring a diverse lineup of artists to match the sport’s massive international audience and its growing emphasis on representation and cultural reach. The star studded line-up includes Don Toliver, Tate McRae, Chris Stapleton, Madison Beer, Peggy Gou, Rosé, Dom Dolla, and many more.
With 17 tracks, F1 The Album offers something for everyone; whether you’re a die-hard racing fan or new to the sport. Even if motorsports aren’t your forte, this high-energy soundtrack is the perfect companion for your next road trip. Just be sure not to take the racing vibes too literally — keep it under the speed limit!
Whether you’re racing, watching from the grandstands, in the paddock, or on your next roadtrip with your friends, check out Billboard’s track ranking of F1 the Album below.
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PAWSA, “Double C”
PAWSA’s electrifying beats and lyrics capture the intimate, magnetic energy of late-night and early-morning club scenes — where connections feel deeper and time seems to blur. With lyrics like “two stepping in the moonlight,” referencing long flights overseas, dancing with a girl all night, and whispering “come close,” the track evokes the kind of fleeting yet unforgettable bond formed on a dance floor, under dim lights and pulsing bass.
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Darkoo, “Give Me Love”
Darkoo’s blend of Afrobeats accompanies the mentality of chasing after love. The breezy lyrics encompass passion and as one of the final tracks on the album – it focuses on being upbeat rather than on the chaos or stressful moments of finding love.
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Mr Eazi, “Attention”
Set against the tranquil chord progressions of Banku music, Mr Eazi’s lyrics focus on the deep intimacy he shares with his partner. With affirmations like “I’ll never betray my trust in you,” he expresses unwavering faith in their bond and his hope for mutual trust. When he sings “Your love is enough for you,” he acknowledges his partner’s self-love, emphasizing that she is whole on her own — he simply wants to complement, not complete, her.
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RAYE, “Grandma Calls the Boy Bad News”
The lyric “Girl, what would your mother say?” echoes the kind of concern many mother figures express when they don’t fully support a decision. It’s not always a direct “no,” but rather a subtle judgment rooted in care and protection. The song explores the tension between seeking approval and standing firm in your choices — ultimately highlighting the importance of owning your decisions and staying true to what you believe in and trusting your own judgement.
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Tiësto & Sexyy Red, “OMG!”
Tiësto and Sexyy Red’s lyrics center on adrenaline and the thrill of riding a high – mirroring the rush drivers feel on the track. Their high-energy, night-out vibe parallels the intensity of racing, where instincts take over. The lyric “Hurricane in the room” subtly nods to the unpredictability of both a wild night and a race, capturing the chaos and excitement of not knowing exactly where the moment will take you.
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Peggy Gou, “D.A.N.C.E”
Gou’s upbeat and electric song incorporates the nodes of night life and the electronic scene that surrounds the world of Formula 1. With simple lyrics such as “Let your mind breathe,” the song is all about letting go and de-stressing in a world of chaos.
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Myke Towers, “Baja California”
Towers sings about the adrenaline and rush of life on the road, while emphasizing the importance of keeping a close, trusted circle of friends and family. Touching on fans who only seek autographs, the song draws a parallel to the world of racing — where fame can be fleeting and pressure runs high. With a nod to the idea that “it’s not the engine, it’s the driver,” Towers highlights how success depends not just on the team’s effort, but on the driver’s skill and mental strength. As many fans rally behind teams, the song reminds us of the intense expectations placed on those behind the wheel.
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Madison Beer, “All at Once”
Beer’s edgy sound and layered vocals combine for the electric smooth sound fans think of when watching Formula 1 here. Her lyrics, stating “I promise I’ll make you an overnight sensation,” represent the dream of many drivers who are promised this and more.
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Burna Boy, “Don’t Let Me Drown”
The melodically produced track, with repetitive lyrics singing “don’t let me drown,” mirrors boht the music industry and that of Formula 1. The track blends Afrobeats with soul to encapsulate the battle of survival and vulnerability.
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Roddy Ricch, “Underdog”
Roddy Ricch declares “this is for the underdogs,” setting the tone for a track that resonates deeply with F1 newcomers and rookies. In F1 the movie, that sentiment mirrors the Joshua Pearce character’s journey as he plays the underdog, constantly chasing after the more seasoned Sonny Hayes. Ricch’s line, “I ain’t got no time for chasing,” speaks to the importance of finding your own rhythm rather than trying to catch up to legends who’ve already carved out their paths. The song becomes an anthem for those starting from the bottom — embracing the struggles, pacing themselves, and owning the challenges of being new in the relentless world of F1.
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Tate McRae, “Just Keep Watching”
“Just Keep Watching” marks a bold and self-assured addition to Tate McRae’s ever-expanding catalog. The track stands strong as an empowering anthem for anyone ready to claim their moment: McRae understands the impact of being seen — and more importantly, being watched on her own terms. Whether it’s in a music video, on the racetrack, or under the glow of club lights, this song is all about commanding attention. Still not convinced? Just keep watching.
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ROSÉ, “Messy”
“Messy” by ROSÉ stands out as one of the more emotional tracks on the album, capturing the tension between emotional desire and chaos. The song embraces the idea of being okay in the mess, exploring the pressure of trying to find stability in a turbulent environment — whether it’s labeled messy or not. It tells the story of two individuals navigating a stressful world, leaning on each other as they search for something more meaningful amidst the disorder.
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Dom Dolla (feat. Nathan Nicholson), “No Room for a Saint”
One of the more pulsing dance tracks on the album, this song channels a rhythmic, synthetic energy. With lyrics like “the future’s a circus,” it captures the unpredictability of racing — teams can’t foresee outcomes, only prepare. The line “No Room for a Saint” reflects the harsh realities of the sport, where setbacks are inevitable and perfection is impossible.
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Chris Stapleton, “Bad As I Used To Be”
Chris Stapleton’s contribution to F1 the Album is a soulful, introspective track that reflects on personal growth and resilience. He sings about the weight of the past and the lessons learned along the way, plays powerfully during a pivotal scene in the F1 movie, as Sonny takes to the track, mirroring the internal and external challenges he faces. Lyrically, it emphasizes embracing one’s flaws, accepting every part of yourself, and shifting focus toward the future — especially on the things you can control. It’s a grounded, heartfelt moment that adds emotional texture to the film and underscores the theme of progress, both on the racetrack and in life.
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Obongjayar, “Gasoline”
The final track of the album stands out as one of the most essential — gasoline being the lifeblood of motorsports and a symbol of energy and drive. Yet in a powerful contrast, Obongjayar repeats “I want no gasoline,” signaling a desire to avoid ignition and instead prioritize his own well-being. The message is clear: Focus on what’s best for you and avoid getting consumed by the chaos around you. When he says, “the players gonna play,” he removes himself from the game entirely — choosing not to be a player, or even part of the board at all, while singing in an upbeat tone, remaining positive about it.
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Don Toliver feat. Doja Cat, “Lose My Mind”
Don Toliver and Doja Cat’s dynamic duet is a striking blend of contrasts, exploring the push and pull between volatility and stability in a relationship. The sleek, high-gloss production echoes the fast-paced, high-stakes atmosphere of the F1 grid — equal parts upbeat, emotional, and electrifying. As one of the first tracks released ahead of the F1 movie, it sets the tone with standout lyrics like, “I paved the way for ’em, take the pain, doubled it, put it in waveform,” a powerful nod to the legacy of F1 legends who’ve cleared the path for the next generation of drivers.
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Ed Sheeran, “Drive”
Ed Sheeran’s “Drive” hits the mark with its energetic nods to the world of racing and Formula 1. With lyrics like “pedal down and drive” and “fast lane living,” the song captures the high-speed thrill and intensity synonymous with F1, even referencing the narrow grids of tracks like Monaco, where only one car can fit at moments, with the other cars behind. One of the catchier songs on the album, “Drive” not only showcases Sheeran’s knack for memorable hooks but also reflects the fast-paced, adrenaline-fueled lifestyle of F1 drivers both on and off the track.