Martin Parr (CBE), the acclaimed British documentary photographer whose vivid, intimate, and often satirical images defined the absurdity of contemporary life and leisure, has died. He passed away at his home in Bristol on Saturday, December 6, at the age of 73.
His agency, Magnum Photos, released a statement confirming his passing: “It is with great sadness that we announce that Martin Parr (1952-2025) died yesterday at home in Bristol. He is survived by his wife Susie, his daughter Ellen, his sister Vivien and his grandson George. The family asks for privacy at this time. The Martin Parr Foundation and Magnum Photos will work together to preserve and share Martin’s legacy. More information on this will follow in due course. Martin will be greatly missed.”

Martin Parr on display at the Centro del Carmen on March 26, 2021 in Valencia, Spain
Rober Solsona/Europa Press via Getty Images
Parr was a titan of documentary photography, recognized globally for his distinct close-up, flash-lit aesthetic that used saturated color to scrutinize consumerism and class dynamics. His work, which he famously described as “serious photographs disguised as entertainment,” offered an anthropological gaze.
Parr revolutionized British photography by shifting the focus from traditional black-and-white social realism to a bold, colourful documentation of the mundane.

Martin Parr’s exhibition “Short & Sweet” during the preview at Archaeological Civic Museum of Bologna on September 11, 2024 in Bologna, Italy
Roberto Serra – Iguana Press/Getty Images
His breakthrough came with the 1986 photobook, The Last Resort: Photographs of New Brighton, which captured working-class holidaymakers at a decaying seaside resort in Merseyside. The images—filled with sunburnt faces, piles of chips, and litter-strewn beaches—were initially controversial, with some critics decrying the unflattering portrayal. For many others, however, the series was a transformative and vital snapshot of Thatcher-era Britain, cementing Parr’s status as a leading voice.

Pictures from Martin Parr’s series “The Last Resort” from 1985 in the NRW-Forum
Federico Gambarini/picture alliance via Getty Images
He followed this success with other major projects, including The Cost of Living (1989), which turned his satirical lens onto the middle-class world of suburban life, garden parties, and public school open days; Small World (1995), a biting critique of mass tourism and the increasing homogenization of global culture; and Common Sense (1999), a dizzying collection of highly saturated images chronicling global consumer culture and bad taste.
Parr published over 100 books, curated influential photography festivals, and established the Martin Parr Foundation in 2017 to champion British and Irish photography. He was also a long-standing member of Magnum Photos, joining in 1994 and serving as its president from 2013 to 2017.

British photographer Martin Parr poses during the press preview of his Only Human: Photographs exhibition at the National Portrait Gallery in London on March 6, 2019
Getty Images

